Movie Posters
by blaxploitation.com
| Aaron Loves Angela | 1975 | ||||||
| Director: Gordon Parks, Jr. | Studio: Columbia | ||||||
| Across 110th Street | 1972 | ||||||
| Director: Barry Shear | Studio: United Artists | ||||||
| Amazing Grace | 1974 | ||||||
| Director: Stan Lathan | Studio: United Artists | ||||||
| Bare Knuckles | 1977 | ||||||
| Director: Don Edmonds | Studio: TWE | ||||||
| Beast Must Die, The | 1974 | ||||||
| Director: Unknown Director | Studio: Paramount | ||||||
| Black Belt Jones | 1973 | ||||||
| Director: Robert Clouse | Studio: Warner Brothers | ||||||
| Black Caesar | 1973 | ||||||
| Director: Larry Cohen | Studio: American International Pictures | ||||||
| Black Eye | 1974 | ||||||
| Director: Jack Arnold | Studio: Warner Brothers | ||||||
| Black Girl | 1974 | ||||||
| Director: Unknown Director | Studio: Unknown Studio | ||||||
| Black Gunn | 1972 | ||||||
| Director: Robert Hartford-Davis | Studio: Columbia | ||||||
| Black Jack | 1973 | ||||||
| Director: William T. Naud | Studio: American International Pictures | ||||||
| Black Samson | 1974 | ||||||
| Director: Charles Bail | Studio: Warner Brothers | ||||||
| Black Six, The | 1974 | ||||||
| Director: Matt Cimber | Studio: Cinemation | ||||||
| Blacula | 1972 | ||||||
| Director: William Crain | Studio: American International Pictures | ||||||
| Blast | 1972 | ||||||
| Director: Frank Arthur Wilson (Oscar Williams) | Studio: New World | ||||||
| Book Of Numbers | 1973 | ||||||
| Director: Raymond St. Jacques | Studio: Avco Embassy | ||||||
| Bucktown | 1975 | ||||||
| Director: Arthur Marks | Studio: American International Pictures | ||||||
| Cannonball Run II | 1984 | ||||||
| Director: Hal Needham | Studio: Warner Brothers | ||||||
| Cleopatra Jones | 1973 | ||||||
| Director: Jack Starrett | Studio: Warner Brothers | ||||||
| Coffy | 1973 | ||||||
| Director: Jack Hill | Studio: American International Pictures | ||||||
| Come Back Charleston Blue | 1972 | ||||||
| Director: Mark Warren | Studio: Warner Brothers | ||||||
| Cool Breeze | 1972 | ||||||
| Director: Barry Pollack | Studio: Metro-Goldwyn-Mayer | ||||||
| Cooley High | 1975 | ||||||
| Director: Michael Schultz | Studio: American International Pictures | ||||||
| Coonskin | 1975 | ||||||
| Director: Ralph Bakshi | Studio: Bryanston | ||||||
| Cornbread, Earl and Me | 1975 | ||||||
| Director: Joe Manduke | Studio: American International Pictures | ||||||
| Cotton Comes To Harlem | 1970 | ||||||
| Director: Ossie Davis | Studio: United Artists | ||||||
| Darktown Strutters | 1975 | ||||||
| Director: William Witney | Studio: New World | ||||||
| Death Journey | 1976 | ||||||
| Director: Fred Williamson | Studio: Po' Boy / Atlas | ||||||
| Detroit 9000 | 1973 | ||||||
| Director: Arthur Marks | Studio: General | ||||||
| Diamonds | 1976 | ||||||
| Director: Unknown Director | Studio: Unknown Studio | ||||||
| Drum | 1976 | ||||||
| Director: Steve Carver | Studio: United Artists | ||||||
| Education Of Sonny Carson, The | 1974 | ||||||
| Director: Michael Campus | Studio: Paramount | ||||||
| Fast Break | 1979 | ||||||
| Director: Jack Smight | Studio: Columbia | ||||||
| Fathom | 1968 | ||||||
| Director: Unknown Director | Studio: Unknown Studio | ||||||
| Fear Is The Key | 1970 | ||||||
| Director: John Vernon | Studio: Paramount | ||||||
| Final Option | 1982 | ||||||
| Director: Ian Sharp | Studio: Richmond Light Horse Productions | ||||||
| Five On The Black Hand Side | 1973 | ||||||
| Director: Oscar Williams | Studio: Unknown Studio | ||||||
| Foxy Brown | 1974 | ||||||
| Director: Jack Hill | Studio: American International Pictures | ||||||
| Friday Foster | 1975 | ||||||
| Director: Arthur Marks | Studio: American International Pictures | ||||||
| Gator | 1976 | ||||||
| Director: Burt Reynolds | Studio: United Artists | ||||||
| Gordon's War | 1973 | ||||||
| Director: Ossie Davis | Studio: Twentieth-Century Fox | ||||||
| Greased Lightning | 1977 | ||||||
| Director: Michael Schultz | Studio: Warner Brothers | ||||||
| Hammer | 1972 | ||||||
| Director: Bruce Clark | Studio: United Artists | ||||||
| Hell Up In Harlem | 1973 | ||||||
| Director: Larry Cohen | Studio: American International Pictures | ||||||
| Hit Man | 1972 | ||||||
| Director: George Armitage | Studio: Metro-Goldwyn-Mayer | ||||||
| Hit! | 1973 | ||||||
| Director: Sidney J. Furie | Studio: Paramount | ||||||
| Hot Potato | 1976 | ||||||
| Director: Oscar Williams | Studio: Warner Brothers | ||||||
| House On Skull Mountain, The | 1974 | ||||||
| Director: Rod Honthaner | Studio: Twentieth-Century Fox | ||||||
| In Like Flint | 1968 | ||||||
| Director: Unknown Director | Studio: Unknown Studio | ||||||
| Klansman, The | 1974 | ||||||
| Director: Terence Young | Studio: Paramount | ||||||
| Last Fight, The | 1983 | ||||||
| Director: Fred Williamson | Studio: Movie and Pictures International | ||||||
| Leadbelly | 1976 | ||||||
| Director: Gordon Parks, Sr. | Studio: Paramount | ||||||
| Lord Shango | 1975 | ||||||
| Director: Ray Marsh | Studio: Bryanston | ||||||
| Mack, The | 1973 | ||||||
| Director: Michael Campus | Studio: Cinerama | ||||||
| Man Friday | 1976 | ||||||
| Director: Jack Gold | Studio: Unknown Studio | ||||||
| Mean Johnny Barrows | 1976 | ||||||
| Director: Fred Williamson | Studio: Po' Boy / Atlas | ||||||
| Melinda | 1972 | ||||||
| Director: Hugh A. Robertson | Studio: Metro-Goldwyn-Mayer | ||||||
| Monkey Hustle | 1977 | ||||||
| Director: Arthur Marks | Studio: American International Pictures | ||||||
| Murph The Surf | 1975 | ||||||
| Director: Unknown Director | Studio: American International Pictures | ||||||
| No Way Back | 1976 | ||||||
| Director: Fred Williamson | Studio: Po' Boy / Atlas | ||||||
| Norman... is that you? | 1976 | ||||||
| Director: George Schlatter | Studio: Warner Brothers | ||||||
| Organisation, The | 1971 | ||||||
| Director: Don Medford | Studio: United Artists | ||||||
| Petey Wheatstraw | 1977 | ||||||
| Director: Cliff Roquemore | Studio: Generation International | ||||||
| Piece Of The Action, A | 1977 | ||||||
| Director: Sidney Poitier | Studio: Warner Brothers | ||||||
| Pop Goes The Weasel | 1975 | ||||||
| Director: Matt Cimber | Studio: Moonstone | ||||||
| Savage | 1973 | ||||||
| Director: Cirio Santiago | Studio: New World | ||||||
| Savage | 1973 | ||||||
| Director: Cirio H. Santiago | Studio: New World | ||||||
| Savage Sisters | 1974 | ||||||
| Director: Eddie Romero | Studio: American International Pictures | ||||||
| Scream, Blacula, Scream | 1973 | ||||||
| Director: Bob Kelljan | Studio: American International Pictures | ||||||
| Shaft | 1971 | ||||||
| Director: Gordon Parks, Sr. | Studio: Metro-Goldwyn-Mayer | ||||||
| Shaft In Africa | 1973 | ||||||
| Director: John Guillermin | Studio: Metro-Goldwyn-Mayer | ||||||
| Shaft's Big Score | 1972 | ||||||
| Director: Gordon Parks, Sr. | Studio: Metro-Goldwyn-Mayer | ||||||
| Slams, The | 1973 | ||||||
| Director: Jonathan Kaplan | Studio: Metro-Goldwyn-Mayer | ||||||
| Slaughter | 1972 | ||||||
| Director: Jack Starrett | Studio: American International Pictures | ||||||
| Slaughter's Big Rip-Off | 1973 | ||||||
| Director: Gordon Douglas | Studio: American International Pictures | ||||||
| Soul Of Nigger Charley, The | 1973 | ||||||
| Director: Larry Spangler | Studio: Paramount | ||||||
| Soul Soldier | 1970 | ||||||
| Director: John Cardos | Studio: Fanfare Film Productions | ||||||
| Split, The | 1968 | ||||||
| Director: Gordon Flemyng | Studio: Metro-Goldwyn-Mayer | ||||||
| Stone Killer, The | 1973 | ||||||
| Director: Michael Winner | Studio: Columbia | ||||||
| Superfly | 1973 | ||||||
| Director: Gordon Parks, Jr. | Studio: Warner Brothers | ||||||
| Sweet Jesus, Preacherman | 1973 | ||||||
| Director: Henning Schellerup | Studio: Metro-Goldwyn-Mayer | ||||||
| Sweet Sweetback's Badaaasss Song | 1971 | ||||||
| Director: Melvin Van Peebles | Studio: Cinemation | ||||||
| T.N.T. Jackson | 1974 | ||||||
| Director: Cirio H. Santiago | Studio: New World | ||||||
| Take A Hard Ride | 1975 | ||||||
| Director: Anthony M. Dawson (Antonio Margheriti) | Studio: Twentieth-Century Fox | ||||||
| That Man Bolt | 1973 | ||||||
| Director: Henry Levin | Studio: Universal | ||||||
| They Call Me Mister Tibbs | 1970 | ||||||
| Director: Gordon Douglas | Studio: United Artists | ||||||
| They Came To Rob Las Vegas | 1969 | ||||||
| Director: Unknown Director | Studio: Warner Brothers | ||||||
| Thief Who Came To Dinner, The | 1972 | ||||||
| Director: Unknown Director | Studio: Paramount | ||||||
| Thing With Two Heads, The | 1972 | ||||||
| Director: Lee Frost | Studio: American International Pictures | ||||||
| tick? tick? tick? | 1970 | ||||||
| Director: Ralph Nelson | Studio: Metro-Goldwyn-Mayer | ||||||
| Together Brothers | 1974 | ||||||
| Director: William A. Graham | Studio: Twentieth-Century Fox | ||||||
| Trick Baby | 1973 | ||||||
| Director: Larry Yust | Studio: Universal | ||||||
| Trouble Man | 1972 | ||||||
| Director: Ivan Dixon | Studio: Twentieth-Century Fox | ||||||
| Watermelon Man | 1970 | ||||||
| Director: Melvin Van Peebles | Studio: Columbia | ||||||
| We Still Kill The Old Way | 1968 | ||||||
| Director: Unknown Director | Studio: Unknown Studio | ||||||
| Which Way Is Up? | 1977 | ||||||
| Director: Michael Schultz | Studio: Universal | ||||||
| Willie Dynamite | 1973 | ||||||
| Director: Gilbert Moses III | Studio: Universal | ||||||
| Zebra Killer | 1973 | ||||||
| Director: William Girdler | Studio: General | ||||||
|
All site contents ©2005 blaxploitation.com. The author has asserted his moral rights. Cover scans, album reviews, all other text content and/or pictures may only be used by prior permission of the.man@blaxploitation.com. But what the hell, I'm a nice guy, so drop me a line! |